(Pirano deIstria (Trieste), 1856 - Venice, 1922) was an Italian painter. Born at Pirano deIstria near Trieste, Fragiacomo moved with his family to Venice, where he enrolled at the Academy of Fine Arts in 1878 after a period as a worker in Treviso. He then abandoned his studies barely one year later to devote himself more freely to painting from life, often in the company of his friend the painter Giacomo Favretto. He won a bronze medal at the Universal Exhibition of 1889 in Paris and took part in the Munich International Exhibition of the same year, as well as later editions. Drawing inspiration from the Venetian lagoon and always characterised by a crepuscular sense of nature, his landscapes took on Symbolist overtones at the end of the century. He won the Prince Umberto Prize at the Milan Triennale of 1891 and was a regular participant from 1895 to 1922 at the Venice Biennale, which held a solo show of his work in 1910 and a posthumous retrospective in 1924.   Related Paintings of Pietro Fragiacomo :. | Bacchanal Andrians | Portrait of Lucas Cranach the Elder | THe Liberation of St. Peter | Portrait of Elisabeth of Bavaria | Ehrenbreitstein and Koblenz from the heights of Pfaffendorf (mk47) |
Related Artists:
Cosimo Tura
1430-95 Italian Cosimo Tura Galleries Cosimo Tura (c. 1430 ?C 1495), also known as Il Cosm?? or Cosme Tura, was an Italian early-Renaissance (or Quattrocento) painter and considered one of the founders of the School of Ferrara. Born in Ferrara, he was a student of Francesco Squarcione of Padua. Later he obtained patronage from both Dukes Borso and Ercole I d'Este. By 1460, he was stipended by the Ferrarese Court. His pupils include Francesco del Cossa and Francesco Bianchi. He appears influenced by Mantegna's and Piero della Francesca's quattrocento styles. In Ferrara, he is well represented by frescoes in the Palazzo Schifanoia (1469?C71) . This pleasure palace, with facade and architecture of little note, belonged to the d'Este family and is located just outside the medieval town walls. Cosimo, along with Francesco del Cossa, helped produce an intricately conceived allegorical series about the months of the year and zodiac symbols. The series contains contemporary portraits of musicians, laborers, and carnival floats in idyllic parades. As in Piero della Francesca's world, the unemotive figures mill in classical serenity. He also painted the organ doors for the Duomo showing the Annunciation (1469). He collaborated in the painting of a series of "muses" for a studiolo of Leonello d'Este, including the allegorical figure of Calliope at the National Gallery (see image). While the individual attributions are often debated, among the artists thought to complete the Angelo di Pietro da Sienna, also called Maccagino or Angelo Parrasio, and Michele Pannonio.
Heinrich Martin Krabbe
painted Young Lady in 19th/20th century
Frans Wilhelm Odelmark
painted Canale Grande - Venice in 1849-1937